That’s what gets people talking about the water cooler.īut there are always differing interpretations, and the fact that surface trappings such as the landscape and the religious iconography sometimes look real makes it easier to read other messages in the material. That internal logic – the idea that the player can do anything – is precisely what makes the game fun. In order for Far Cry 4 to function as a sandbox – to exist as a place in which extreme violence is permissible – Kyrat has to be a world where someone like Pagan Min makes sense, as well as a world in which that same megalomaniac would allow the player character to run free just for a bit of sport.
According to Hay, Min is like the emperor without clothes, a caricature so powerful that no one has dared to tell him ‘no’ for roughly twenty years. The approach is reflected in the game’s antagonist, Pagan Min, the despotic ruler of Kyrat. Write the world and the people that are in it, and allow the player to choose.” They have to be able to provide you an opportunity without saying that you have to follow it.” You have a clear idea of what you want to do, right up until a herd of deer runs in front of you and you find yourself doing something crazy,” said Hay. “The game is built to give you freedom, opportunity, and surprise. It’s not logical, but there’s continuity.”įor the most part, that continuity is based on tone rather than consistency. “We chose to build Kyrat,” said Far Cry 4 Executive Producer Dan Hay. Far Cry 4 is intended first and foremost as escapist entertainment. So is Far Cry 4 a harmless sandbox that merely provides players with a pretty playground in which to cause chaos? Or does the game trivialize the experiences of people who actually do live in that part of the world, mining their lives for cheap colonial tourism for primarily North American audiences?Īs is so often the case, the answer lies somewhere in the middle.
While fans of the franchise looked forward to exploring the game’s mountain terrain, critics were quick to identify the cover’s problematic use of racially charged imagery. That divide proved combustible when the game’s cover was revealed. So while the gameplay – as well as the game’s primary selling point – is animated lunacy, the imagery will inevitably have more tangible resonance for many in the audience. The people, culture and vistas are supposed to read as authentic even while the narrative struggle does not. However, problems arise when that cartoon is supposed to resemble something closer to reality.įar Cry 4 is set in the fictional nation of Kyrat, based loosely on the mountainous regions of Nepal.
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